15 Sep 2014 to 30 Sep 2014
In 1958, guitarist Jim Hall, in liner notes to a Jimmy Giuffre album, used the term “instant composition” to describe improvising. A few years later, Misha Mengelberg, knowing nothing of this, re-coined the term, and it stuck. A quiet manifesto, those two English words countered notions that improvising was either a lesser order of music-making than composing, or an art without a memory, existing only in the moment, unmindful of form. Misha's formulation posited improvisation as formal composition's equal (if not its superior, being faster).