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Born: September 8, 1954 Rio de Janeiro, Brasil
Training:
1968 - 1971 Piano, classical guitar, bass, drums
Museu da Imagem e do Som (Museum of Image and Sound) in Brazil
Composition Style:
melodic Jazz-Fusion, flavored with the rhythms and harmonics of Brazil
original compositions and arrangements have been recorded by Bud Shank, Herbie Mann,
Toninho Horta, Romero Lubambo, New York's Trio da Paz, as well as Flora and Airto
Professional Career:
| 1973 - present |
Professional keyboardist, composer, arranger, producer |
| 1980 - 1990 |
Leny Andrade, Emilio Santiago, Marcio Montarroyos, Jon Lucien , Claudio Roditi |
| 1982 - present |
Music Director, arranger, keyboards for Flora Purim, Airto |
| 1984 |
Toninho Horta |
| 1984 - 1986 |
Paquito D'Rivera, Bud Shank, Ricardo Silveira |
| 1998 - present |
Dori Caymmi, Nana Caymmi, Flora & Airto, Danilo Caymmi, Edu Lobo, and Joyce |
Special Projects:
| 1983 |
replaced the late composer/arranger Gil Evans as arranger and co-composer of Airto's "Missa Espiritual, "(Harmonia Mundi, 1983). Köln, Germany, conducted and recorded the mass with a 63-piece orchestra and choir. |
| 1984 |
Marcos formed his group Intersection |
Tours: Europe, Japan, Brazil, United States, South America
Teaching and Recognition:
| 1986 |
arranged Milton Nascimento's "Esquinas" earned Flora Purim a 1986 Grammy nomination. |
| 1988 |
arranged for the legendary Dizzie Gillespie. |
| 1992 - present: |
California Arts Council's Touring Roster and Artist in Residence for San Jose High School's Music programs. |
| 1997 - present: |
Faculty - The jazzschool, Berkeley, CA; Faculty of Jazz Camp West Summer Program and Faculty of Brazil Camp Program, CA |
| 2001 |
special guest on Ivan Lins' recording Jobiniando |
Recording, Producing, Arranging:
Marcos and Intersection White & Black - (1988) and Here We Go - (1986) on Concord Records' Crossover label.; Bud Shank's Tomorrow's Rainbow. Ricky Encarnacion's (1991) One People, One Country, One Music; Viva Brasil's (1992) Festa; Claudia Gomez's (1992) Salamandra, a first generation direct master CD; Madeleine Eastman's (1994) Art Attack; Claudia Villela's (1995) Asa Verde; Terra Sul's (1995) MoJazz release Kindness of Strangers; Claudia Gomez's (1995) Tierradentro; Harvey Wainapel's (1996) Ambrosia - The Music of Kenny Baron; Damien Masterson's (1997) Intercambio; Viva Brasil's Messages and Sandy Cresman's Homenagem Brasileira, which he also co-arranged and produced, and the Eddie Pasternak/Joel Evans project (2001) A Dozen Roses Ago. Airto's Missa Espiritual, Struck by lightning, Flora & Airto's (The Sun is out, The Magicians, Midnight Sun, he Colors of Life)
World-wide venues:
Kimball's, The Great American Music Hall, Yoshi's Jazz Spot in Oakland, Concord Jazz Festival, Monterey Jazz Festival, Russian River Jazz Festival, San Francisco Jazz Festival, San Jose Jazz Festival, Kuumbwa Jazz in Santa Cruz, Vacaville Performing Arts Series, Crocker Museum's Jazz Series in Sacramento, House of Blues, At My Place, Le Cafe in Los Angeles, Valhalla Music Festival in Lake Tahoe, Jazz Alley in Seattle, and many others.
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